In February, we announced our Winter Writing Contest. The theme? "Unrepentant." We wanted pieces about shamelessness, moxie, brass, nerve. The writing community delivered! We received a proverbial mail basket full of strong submissions. From among them, our judges, David Biespiel (poetry) and Greg Robillard (prose), selected six winning entries - two short stories, two essays, and two poems - as well as three runners up. Without further ado, here they are! The winning pieces and their authors appear below.
Writing Fellows at the Attic Institute of Arts and Letters include some of the best emerging and established writers in the Portland area. The Fellows offer Attic students a fresh literary experience geared to your writing and writing goals. Workshops offered by the following writers will be announced soon.
M. Allen Cunningham
“Write what should not be forgotten.”
~ Isabel Allende
David Biespiel joins Ursula K. Le Guin and Barry Lopez as writers to win OBA in more than one genre.
Congratulations to the Attic Institute's David Biespiel for winning the Oregon Book Award last night in general nonfiction for his book, A Long High Whistle: Selected Columns on Poetry. The book collects 11 years of David's writing on poetry in the book review of the Oregonian — making his the longest-running column on poetry in an American newspaper. The column ran from 2003-2014. This is David's second Oregon Book Award, having accomplished the rare feat of winning in two categories. He previously won the 2010 OBA in poetry for The Book of Men and Women. This new award puts him in the company of other writers who have won an OBA in more than one genre, including Ursula K. Le Guin, Barry Lopez, Tracy Daugherty, Floyd Skloot, Graham Salisbury, Eric Kimmel, among others. Congratulations to all the winners, finalists, publishers, and our friends at Literary Arts that sponsor the Oregon Book Awards each year. (Photo: Heather Brown)
David Biespiel, president of the Attic Institute of Arts and Letters, is seen here introducing Wendell Berry on March 17, 2016, at the New School in New York. The recipient of the National Book Critics Circle's Ivan Sandrof Lifetime Achievement Award for 2016, Wendell Berry, 81, is an influential poet, essayist, environmentalist, activist, critic and farmer. For more than 40 years he has farmed a hillside in Henry County, Kentucky, where he was born in 1934. He is the author of more than 50 books, including his most recent essay collection, “Our Only World.”
Speaking to the large audience of writers, editors, and publishers, Biespiel said:
It has been my privilege to chair the Ivan Sandrof committee this year. The Ivan Sandroff award is named for a founding member of the National Book Critics Circle. The award honors significant and sustained contributions to Amerian literary culture.
Recently, I had the opportunity to chat with poet Jennifer Dorner about submitting poems for publication. Dorner's poetry has appeared in The Timberline Review, VoiceCatcher, and is forthcoming in Verseweavers, and she has received literary awards from Willamette Writers and the Oregon Poetry Association. Dorner was a 2013-14 Atheneum Fellow at the Attic Institute. She coordinates the Attic’s popular monthly all-genre open mic, Fridays on the Boulevard, and co-founded the Vault Voices reading series.
How did you make the decision to start sending out your poems? How did you know you were ready? In 2011, I came back to writing after some time away from it. I attended classes and readings for two years until my teacher – I was taking a class then – said he thought I should send to a local online journal (VoiceCatcher). I'm so grateful John Morrison gave me that push. Later, I saw him at a reading downtown, and he gave me some advice: Take 20 of my best poems, divide them into groups of 5, and send them out. That was in October; by January I was meeting with a friend, and spent a year sending work out.
This week’s prompt is “showing off.” Think wheelies and high dives; the splashiest engagement ring; the baddest car. What motivates this exhibitionist? Do they succeed in winning over their audience? Try speaking in their voice.
Decide how long you want to write (10 minutes? an hour?). And go!
We all go through phases when the words come slowly, when there are plenty of false starts and lots of jumping up to pour another cup of coffee or fetch a sweater.
So what a relief to sit down at a table and hear someone say briskly, “OK, we’re going to do a 2-minute write.” All of us at the Write Around Portland (WAP) workshop happily took out pens and notebooks.
“You have a choice,” our facilitator, Ed, said to the group. “Before I go to sleep tonight…, or I’m happy to see…. You can write about either one. Or if you prefer, I have an envelope with alternate writing prompts that you can use instead.” There wasn’t time to agonize about it: we all put pen to paper and wrote.
For this week's prompt, write a piece about what happens while most of the world is sleeping. Imagine a 24-hour diner, a "red eye" airplane flight, a hospital emergency room, a club.
On a recent, soggy night, I took refuge at Fridays on the Boulevard, the Open Mic event that the Attic has been hosting on the first Friday of the month for the last three years.
If your main character is a welder or a chef, if your novel is set in Renaissance Italy or Nazi Germany, you've probably felt the need to do research. The right source materials can help you clothe your characters, put convincing slang on their lips, and fill out the world around them - as well as inspiring you to write more.
Sure, it's almost Valentine's Day, but it's not too late to set some writing goals for the new-ish year. What are your resolutions for 2016?
To write daily (or just more often)? Share your work at a reading? Join a writing group? Apply to an MFA program or submit a piece for publication? Finish something (anything!)?
Meet the Atheneum Class of 2016
FELLOWS READINGS: 7pm: Stonehenge Studios, 3508 SW Corbett Ave, Free
June 7: Emily Gillespie, Ryan Meranger, Leslie Knight, Jasmine Pittinger, Joanna Rose, Ann Sinclair
June 14: Carolyn O’Doherty, Rich Perin, Candice Schutter, Emily Rose Williams, Wally Schaefer, Celia Carlson
Poems Hold the Mysteries of the Present, Dreams of the Future
Where Are You From?
Reconnecting to the places we live by Wendy Willis, from Oregon Humanities
"Recently, driving home from a soccer game in the pouring rain, I looked into the rearview mirror and asked my two young and very wet daughters, “If someone from another country asked you where you were from, what would you say?”
Without a heartbeat’s hesitation, they responded in unison, “Portland, Oregon.” I drew a sharp breath. For them, it’s not even a question to ponder. When I am asked, I always say, “I live in Portland, but I’m from Springfield, Oregon—from East Lane County.” When my husband is asked, he always answers, “Harris County, Texas,” though he was born in Tulsa, has lived in a dozen states, and has bounced around the same two zip codes in Southeast Portland for more than fifteen years."
Pat Mullarkey focuses on the Attic writers' workshops and the Atheneum.
"If you're interested in writing, this is a wonderful place to be. Communities define themselves in terms of exclusiveness or inclusiveness. Portland defines itself by inclusiveness."
"This was so much more than I had hoped I would gain from the experience. This is a great service for the Attic to provide!" -- Pam Ledbetter, children's book consultation
We've updated our one-on-one services. Check out the lineup of offerings. Plus, you can always devise your own plan.
From David Biespiel, President of the Attic Institute of Arts and Letters
"Eleven years have gone by in a blink. But today begins a new era as we renew our dedication both to the word and to the world."
"All sorts of excellent pieces of writing get started and finished here. That's what it means to be a literary studio."
"Poetry connects us to our past, and poets unmask both private and civic memories, dreams, and urgencies. By harmonizing the body with the mind, serving both young and old, poetry is a guide to deliver us into a fresh engagement with our inner lives and with modernity."
"America's poets have a minimal presene in American civic discourse and a miniscule public role in the life of American democracy. I find this condition perplexing and troubling -- both for poetry and for democracy."