New Year, New Resolutions! Want to prime your creative pump? If so, right place, right time. Portland in the winter is a paradise for the performing arts. A visit to Fertile Ground might be just what you need to get the juices flowing. Running January 18 to 28, Fertile Ground is an annual city-wide festival focused on new work in the arts.
Visit us at Wordstock!
Learn about the Attic Institute at Wordstock Portland's Book Festival on Nov 11.
Meet lots of wonderful Portland writers and readers, and join the great Attic Institute community of creative writing workshops, programs, and events.
Attic Institute president David Biespiel's moving essay on his hometown of Houston, Texas, and the aftermath of Hurricane Harvey.
"Like other natural disasters, the novelty of a great flood has a tendency to wear off. That’s true even when it’s three great floods in three years."
The Cesar Egido Serrano Foundation’s fifth international flash fiction contest is now accepting entries. Administered by the Museo de las Palabras (Museum of Words) in Madrid, the competition is for very short fiction pieces of up to a maximum of 100 words. The winner will receive a prize of US$20,000, with three runners-up each receiving $1000.
Congratulations to the class of 2018
Our annual certificate program, the Attic Atheneum melds independent study under close faculty supervision, student receptions, public readings, and other special Atheneum events created around good food and great conversation, dialogue, and literary community.
POETRY: Peggy Capps, Michelle Williams, Louise Wynn
FICTION: Doug Chase, Althea Gregory, Dennis Steinman, Don Westlight
NONFICTION: Heidi Beierle, Kathleen Goldberg, Heather Rocha, Nadia Webb
I was talking with a friend recently who was explaining his relatively newfoundland love for country music. Among his reasons were the songs simply tell stories. I think it's worth taking a look at the lyrics of country musicians in relation to a narrative; country songs, or songs whose lyrics are derivative of country and folk origin, transcend the format of prose or poetry while still giving us an account delivered with sentiment.
I enjoyed this essay from by Stephen Akey of The Smart Set on the prospects offered to someone blessed (burdened?) with an overwhelming love for literature: become a great writer or a great supporting beam for the literary world, in his case a librarian.
As of two days ago it is officially summer.
I have mixed feelings about the summertime. I love swimming, hot weather, drinking iced coffee, warm nights, walking for hours without any destination, going to sleep red and waking up a shade darker. At the same time, as a student who takes classes nine months out of the year, June through August presents a kind of chasm in which routine is discarded and needed to be refound. I inevitably find myself with time on my hands to ponder too much. Recently I've been wrestling with the idea of existential dread and how to utilise the thoughts which arise from it to initiate helpful, discrusive thinking. I don't really think there's one solution, but I find comfort in texts which offer empathetic narratives.
This week in literary film and television news, there was a lot of exciting, nerdy, and star-encrusted movement, much like a Saturday night at your local laser tag. Is laser tag still a thing? Who knows!
Read Emily Temple's report on Lit Hub, the website for smart, engaged, entertaining writing about all things books.
Celebrate the 2016-2017 Atheneum Fellows
Stonehenge Studios in Southwest Portland, 7pm
May 15: Jennifer Nevers, Michelle Bussard, Delia Garigan, Caitlin Collins, Anne Griffin, Mericos Rhodes
June 5: Andrea Rodriguez, Graham Paterson, Christa Kaainoa, Marv Lurie, Phil Meehan
"In his beguiling voice . . . Biespiel’s supple memoir of becoming a poet will surely inspire other writers." — Publishers Weekly (starred review)
A beautifully rendered memoir about creative beginnings in the vein of Umberto Eco’s classic Confessions of a Young Novelist.
The Education of a Young Poet (Counterpoint Press) is Attic Institute of Arts and Letters' president David Biespiel’s moving account of his awakening to writing and the language that can shape a life. David writes for every creative person who longs to shape the actions of their world into art and literature. Woven throughout are reflections on the writer’s craft coupled with a classic coming of age tale that does for Boston in the 1980s what Hemingway's A Moveable Feast did for Paris in the 1920s.
A couple of years ago, my husband and I went on a long backpack. It was really very long. We crossed state lines; we passed from one season into the next. For weeks, we talked - about the scenery, the route, memories we had just remembered, the food we were missing. Eventually, we were talked out. We just walked, enjoying the quiet, the rustling, the birds. As the miles stretched into the hundreds, I discovered podcasts.
Our free write is based on this picture:
Write a poem, passage, or story about what you see happening here. Think of the physical: Is it hot? Noisy or not? How does it smell? Think about the softness of the monkeys' fur, the rebuke of the stick.
Be as silly, literal and slapstick as you like.
Try taking sides: Start your piece with either "He had it coming" or "It was unfair."
Just 15 minutes! Ready, go...
Given President Trump's proposal to eliminate the NEA, now's an opportune moment to examine what we're actually spending on the arts, and where those funds are going. Get the facts here:
Remember Mike Huckabee, the former governor of Arkansas who vied for the Republican presidential nomination in 2016? In this week's Washington Post, Huckabee makes an unexpected and passionate defense of the National Endowment for the Arts. Why now? Because President Trump's 2018 budget blueprint proposes that the NEA be eliminated.
Charles Baxter did it. He wrote a book of ten short stories all hinging on that line: "there's something I want you to do." Your turn! Write a piece that contains a request moment - whether it's a haughty command or a desperate plea. Borrow Baxter's line or use your own, but set the timer, and write. Have fun!
With Portland's deep literary roots, it was just a matter of time before we got a our own bookish podcast. And here it is: Isaac Eldridge and Michelle Fredette's "Go Away, I'm Reading," a podcast about reading books, buying books, and obsessing over books.
One of the biggest embarrassments of the early Donald Trump administration occurred when Trump advisor and spokesperson Kellyanne Conway made reference to the "Bowling Green massacre," a terrorist attack that did not actually occur. Many have mocked Conway over the made-up attack, but no one’s done it better than the Harvard Bookstore.
You probably have your own favorites, but my top contender is Lydia Davis' "Break it Down." The story is a monologue in which a man tries to place a monetary value on a brief, intense romantic relationship, to determine if it was "worth it" in the most literal sense. Despite his efforts, the relationship exceeds - and resists - precise valuation.
A few years ago, a friend of mine told me about this online magazine about writing and money. It was called Scratch, it sounded terrific, and by the time I went looking for it, they'd already stopped publishing it.
If you want a writing residency with a different flavor, then forego the pastoral setting and head to the Mall of America. MOA is looking for a writer to do a five-day residency to celebrate its 25th anniversary. According to their website, "the winner will have the chance to spend five days deeply immersed in the Mall atmosphere while writing on-the-fly impressions in their own words."
"The contest winner will stay in an attached hotel for four nights, receive a $400 gift card to buy food and drinks and collect a generous honorarium for the sweat and tears they’ll put into their prose." And there's this tantalizing hook: "Where will the winner’s lovingly crafted story end up? Just wait and see!"
In honor of our recent crazy weather, we set a theme of "Snowpocalypse," and invited a submissions related to snow, cold, or winter. Our judge was David Ciminello, award-winning author, poet and screenwriter, and an adjunct fellow at The Attic Institute (...also an actor, but that's another story!). From the stack of entries, David selected a first and second place award winners. And they are...
First Place: "A Prayer for Winter" by Alene Bikle
Second Place: "The Bright White Light, The Clean Chill Air" by Stevan Allred
Congratulations to Alene and Stevan! Their pieces appear below. Enjoy reading them, and thanks also, to all who submitted to the contest.
CLICK READ MORE TO READ THE WINNING PIECES
If you've looked around, you know: there are a busload of bad writing-prompt web sites out there. One happy exception is run by Poets & Writers: Poets & Writers Writing Prompts. There, you can find inspiring prompts for poetry, fiction, and creative non-fiction. With thanks to P&W, here are some of their latest. So set the timer, take out a pen, and tuck your cell phone under the couch cushions. Enjoy!
Literary Arts does it again! In three upcoming events, this nationally recognized center provides a forum for Latino writers, Queer writers, and writing about the economically dispossessed. So much to do in February and March! Join and celebrate this multiplicity of voices.
Are you planning to enter the Attic's "Snowpocalypse" Writing Competition, but just haven't gotten around to it? Here's a different kind of inspiration. Artist and writer Shelley Jackson is writing a story, word by frozen word, in the snows of New York City and documenting it on Instagram. A link to the complete tale: A Short Story is Being Written in the Snow.
If you're thinking about writing and what it means - whether it even matters - at this moment in time, I recommend a new article in The Huffington Post: "What it Means to be a Writer in the Time of Trump: Eighteen Authors Weigh in on their New Responsibilities."
From David Biespiel, President of the Attic Institute of Arts and Letters
"Eleven years have gone by in a blink. But today begins a new era as we renew our dedication both to the word and to the world."
"All sorts of excellent pieces of writing get started and finished here. That's what it means to be a literary studio."
"Poetry connects us to our past, and poets unmask both private and civic memories, dreams, and urgencies. By harmonizing the body with the mind, serving both young and old, poetry is a guide to deliver us into a fresh engagement with our inner lives and with modernity."
"America's poets have a minimal presene in American civic discourse and a miniscule public role in the life of American democracy. I find this condition perplexing and troubling -- both for poetry and for democracy."