The Creative Nonfiction (CNF) Studio is based on the idea that inspiration, accountability, and community are essential to every writer’s growth. Over the course of their time in the CNF Studio, writers can expect to read widely and gain deep insight into their own writing, all the while exploring questions of structure, form, narration, truth, memory, influence, and voice. The Studio culminates in a celebration at a nearby watering hole. | Maximum 10 students
Pour the poet into the art and the art into the poet.
Poets Studio is based on the idea that focusing on goals is the key to lasting growth as poet. Poets Studio is a weekly workshop that runs from October 1 - May 31 each year. It is designed to give form and focus to your poetry writing. The Poets Studio is open to applications from all poets. Poets join the Poets Studio for the entire 30-week session. This creates the Poets Studio's special experience: a steady, supportive, and comprehensive study of your poetry among other poets.
Portland collaborative literary series CrossingPDX will be hosting their next chapter next Tuesday, celebrating new material from international and local authors.
The event will feature a reading from acclaimed Danish author Peter H. Fogtdal, who will share an Englsh excerpt from his upcoming novel Det Store Glidefald. Also in the line-up is PSU graduate alum and writer Anna Marie Brown reading from her essay series Fifth Grade Vanishing Point, a reading by musician and writer Mitzi Zilker from her screenplay Graffiti Love, and a preview of CrossingPDX curator Julie Whipple's novel Crash Course.
The event will be held in the Oslo Louge at Norse Hall, which boasts a ballroom maintained from 1928 and a library praised for its collection specializing in Norwegian literature.
Find out more on the event page here!
I enjoyed this essay from by Stephen Akey of The Smart Set on the prospects offered to someone blessed (burdened?) with an overwhelming love for literature: become a great writer or a great supporting beam for the literary world, in his case a librarian.
As of two days ago it is officially summer.
I have mixed feelings about the summertime. I love swimming, hot weather, drinking iced coffee, warm nights, walking for hours without any destination, going to sleep red and waking up a shade darker. At the same time, as a student who takes classes nine months out of the year, June through August presents a kind of chasm in which routine is discarded and needed to be refound. I inevitably find myself with time on my hands to ponder too much. Recently I've been wrestling with the idea of existential dread and how to utilise the thoughts which arise from it to initiate helpful, discrusive thinking. I don't really think there's one solution, but I find comfort in texts which offer empathetic narratives.
This week in literary film and television news, there was a lot of exciting, nerdy, and star-encrusted movement, much like a Saturday night at your local laser tag. Is laser tag still a thing? Who knows!
Read Emily Temple's report on Lit Hub, the website for smart, engaged, entertaining writing about all things books.
Celebrate the 2016-2017 Atheneum Fellows
Stonehenge Studios in Southwest Portland, 7pm
May 15: Jennifer Nevers, Michelle Bussard, Delia Garigan, Caitlin Collins, Anne Griffin, Mericos Rhodes
June 5: Andrea Rodriguez, Graham Paterson, Christa Kaainoa, Marv Lurie, Phil Meehan
A beautifully rendered memoir about creative beginnings in the vein of Umberto Eco’s classic Confessions of a Young Novelist.
"Lyrical, affectionate . . . graceful reflections on creativity." — Kirkus Reviews
The Education of a Young Poet (Counterpoint Press) is Attic Institute of Arts and Letters' president David Biespiel’s moving account of his awakening to writing and the language that can shape a life. David writes for every creative person who longs to shape the actions of their world into art and literature. Woven throughout are reflections on the writer’s craft coupled with a classic coming of age tale that does for Boston in the 1980s what Hemingway's A Moveable Feast did for Paris in the 1920s.
A couple of years ago, my husband and I went on a long backpack. It was really very long. We crossed state lines; we passed from one season into the next. For weeks, we talked - about the scenery, the route, memories we had just remembered, the food we were missing. Eventually, we were talked out. We just walked, enjoying the quiet, the rustling, the birds. As the miles stretched into the hundreds, I discovered podcasts.
Our free write is based on this picture:
Write a poem, passage, or story about what you see happening here. Think of the physical: Is it hot? Noisy or not? How does it smell? Think about the softness of the monkeys' fur, the rebuke of the stick.
Be as silly, literal and slapstick as you like.
Try taking sides: Start your piece with either "He had it coming" or "It was unfair."
Just 15 minutes! Ready, go...
Given President Trump's proposal to eliminate the NEA, now's an opportune moment to examine what we're actually spending on the arts, and where those funds are going. Get the facts here:
Remember Mike Huckabee, the former governor of Arkansas who vied for the Republican presidential nomination in 2016? In this week's Washington Post, Huckabee makes an unexpected and passionate defense of the National Endowment for the Arts. Why now? Because President Trump's 2018 budget blueprint proposes that the NEA be eliminated.
Charles Baxter did it. He wrote a book of ten short stories all hinging on that line: "there's something I want you to do." Your turn! Write a piece that contains a request moment - whether it's a haughty command or a desperate plea. Borrow Baxter's line or use your own, but set the timer, and write. Have fun!
With Portland's deep literary roots, it was just a matter of time before we got a our own bookish podcast. And here it is: Isaac Eldridge and Michelle Fredette's "Go Away, I'm Reading," a podcast about reading books, buying books, and obsessing over books.
One of the biggest embarrassments of the early Donald Trump administration occurred when Trump advisor and spokesperson Kellyanne Conway made reference to the "Bowling Green massacre," a terrorist attack that did not actually occur. Many have mocked Conway over the made-up attack, but no one’s done it better than the Harvard Bookstore.
You probably have your own favorites, but my top contender is Lydia Davis' "Break it Down." The story is a monologue in which a man tries to place a monetary value on a brief, intense romantic relationship, to determine if it was "worth it" in the most literal sense. Despite his efforts, the relationship exceeds - and resists - precise valuation.
A few years ago, a friend of mine told me about this online magazine about writing and money. It was called Scratch, it sounded terrific, and by the time I went looking for it, they'd already stopped publishing it.
If you want a writing residency with a different flavor, then forego the pastoral setting and head to the Mall of America. MOA is looking for a writer to do a five-day residency to celebrate its 25th anniversary. According to their website, "the winner will have the chance to spend five days deeply immersed in the Mall atmosphere while writing on-the-fly impressions in their own words."
"The contest winner will stay in an attached hotel for four nights, receive a $400 gift card to buy food and drinks and collect a generous honorarium for the sweat and tears they’ll put into their prose." And there's this tantalizing hook: "Where will the winner’s lovingly crafted story end up? Just wait and see!"
In honor of our recent crazy weather, we set a theme of "Snowpocalypse," and invited a submissions related to snow, cold, or winter. Our judge was David Ciminello, award-winning author, poet and screenwriter, and an adjunct fellow at The Attic Institute (...also an actor, but that's another story!). From the stack of entries, David selected a first and second place award winners. And they are...
First Place: "A Prayer for Winter" by Alene Bikle
Second Place: "The Bright White Light, The Clean Chill Air" by Stevan Allred
Congratulations to Alene and Stevan! Their pieces appear below. Enjoy reading them, and thanks also, to all who submitted to the contest.
CLICK READ MORE TO READ THE WINNING PIECES
If you've looked around, you know: there are a busload of bad writing-prompt web sites out there. One happy exception is run by Poets & Writers: Poets & Writers Writing Prompts. There, you can find inspiring prompts for poetry, fiction, and creative non-fiction. With thanks to P&W, here are some of their latest. So set the timer, take out a pen, and tuck your cell phone under the couch cushions. Enjoy!
Literary Arts does it again! In three upcoming events, this nationally recognized center provides a forum for Latino writers, Queer writers, and writing about the economically dispossessed. So much to do in February and March! Join and celebrate this multiplicity of voices.
Are you planning to enter the Attic's "Snowpocalypse" Writing Competition, but just haven't gotten around to it? Here's a different kind of inspiration. Artist and writer Shelley Jackson is writing a story, word by frozen word, in the snows of New York City and documenting it on Instagram. A link to the complete tale: A Short Story is Being Written in the Snow.
If you're thinking about writing and what it means - whether it even matters - at this moment in time, I recommend a new article in The Huffington Post: "What it Means to be a Writer in the Time of Trump: Eighteen Authors Weigh in on their New Responsibilities."
Associate Fellow at the Attic Institute of Arts and Letters
We are delighted to welcome Chuck Palahniuk as a new fellow at the Attic Institute. Chuck's novels include the bestselling Fight Club, which was made into a film by director David Fincher, Survivor, Invisible Monsters, Choke, Lullaby, Fugitives and Refugees, Diary, Stranger Than Fiction, Haunted, Rant, Stnuff, Pygmy, Tell-All, and Damned. Portions of Choke have appeared in Playboy, and his nonfiction work has been published by Gear, Black Book, The Stranger, and the Los Angeles Times.
Learn more about Chuck's upcoming ten-week workshop: The Writing Wrong Workshop.
If you need to blow off some steam, nothing can beat Los Lobos' rowdy song, Mas y Mas. With lyrics in a mix of Spanish and English, it describes a night on the town, full of dancing, driving, drinking, and raw energy:
Deep in my post-election funk, I found an article that was just what I needed to hear: National Public Radio's recent story about the National Book Awards and the role that reading and writing can play in reaching across the political divide. Here are excerpts:
It's here! Wordstock, Portland's Book Festival, will be held this Saturday, November 5, 2016, at the Portland Art Museum and at venues in the surrounding South Park Blocks. There will be pop-up readings by featured authors, workshops on writing and publishing, panel discussions, and the always-wonderful book fair. Included in the price of admission is a $5 book voucher that is accepted by all vendors and must be used at the fair!
Come visit The Attic Institute at Booth #51 and see what we've got on tap.
I happened to catch an interview on the radio the other day: it was Terry McDonell, the former top editor of Esquire, Rolling Stone, Outside, and Sports Illustrated, talking about his new book, The Accidental Life: An Editor’s Notes on Writing and Writers.
"Out of place" is a judgment call, a decision about what's appropriate, what constitutes difference, what belongs or doesn't belong. Think about a situation when someone (or something) is out of place.
From David Biespiel, President of the Attic Institute of Arts and Letters
"Eleven years have gone by in a blink. But today begins a new era as we renew our dedication both to the word and to the world."
"All sorts of excellent pieces of writing get started and finished here. That's what it means to be a literary studio."
"Poetry connects us to our past, and poets unmask both private and civic memories, dreams, and urgencies. By harmonizing the body with the mind, serving both young and old, poetry is a guide to deliver us into a fresh engagement with our inner lives and with modernity."
"America's poets have a minimal presene in American civic discourse and a miniscule public role in the life of American democracy. I find this condition perplexing and troubling -- both for poetry and for democracy."