David Biespiel

David Biespiel

President of the Attic Institute of Arts and Letters

David Biespiel is widely recognized as one of the leading poets of his generation, a liberal commentator on national politics, and also one of the nation's experts in teaching writing. His teaching experience is innovative and vast: He has taught at every level of education, from a one-room schoolhouse to large university campuses, from public high schools to graduate seminars, from teaching poetics at Stanford University to developing national champions in the Olympic sport of diving, and he has lectured and spoken to audiences throughout the United States.

Looking to create an independent writing studio in 1999, David founded the Attic Institute of Arts and Letters as a haven for writers in Portland's historic Hawthorne district.

He is the author of numberous books, including five volumes of poetry -- Shattering Air, Pilgrims & Beggars, Wild CivilityThe Book of Men and Women which was named Best Poetry of the Year  by The Poetry Foundation and also received the Oregon Book Award, and Charming Gardeners. His nonfiction includes Every Writer Has a Thousand Faces, A Long High Whistle: Selected Columns on Poetry, which earned David's second Oregon Book Award, and the memoir The Education of a Young Poet, which was named a Best Books for Writers by Poets & Writers. He has been honored with a Wallace Stegner Fellowship in Poetry, the Pacific Northwest Booksellers Award, a Lannan Literary Fellowship, and a National Endowment for the Arts Fellowship in Literature.

In addition to his work at the Attic Institute, he is Poet-in-Residence at Oregon State University and a core faculty member of the Rainier Writing Workshop.

 

A Statement of Our Values

The Attic Institute of Arts and Letters opposes the legitimation of bigotry, hate, and misinformation. As a studio for writers, we do not tolerate harassment or discrimination of any kind. We embrace and celebrate our shared pursuit of literature and languages as essential to crossing the boundaries of difference. To that end, we seek to maintain a creative environment in which every employee, faculty member, and student feels safe, respected, and comfortable — even while acknowledging that poems, stories, and essays delve into uncomfortable subjects. We accept the workshop as a place to question ourselves and to empathize with complex identities. We understand that to know the world is to write the world. Therefore, we reaffirm our commitment to literary pursuits and shared understanding by affirming diversity and open inquiry.