Building a Firm Foundation: Crafting an Outline for a Novel Workshop w Rachel King | Sep 16 - Oct 21

Have you written and rewritten the first chapter of your novel but have trouble continuing? In this class, you will study your novel's opening pages while free-writing and daydreaming toward a detailed outline that will lead to your finished work. You’ll also have the opportunity to critique the opening pages of your classmates' novels, read the opening pages of other writers’ novels, and review the elements of fiction writing.

Teacher:

Rachel King

Time:

Wednesdays, Sep 16-Oct 21, 6:30 - 8pm

Location:

Attic Institute, 1033 SW Yamhill Street, Suite 405

Total Fee:

$249.

Deposit:

The Attic Experience

"I wanted to let you know how valuable I found the Attic's workshop. The assignments and the way in which they were critiqued were very useful in helping me to create interesting characters and shape narrative text to complement my story. I plan to continue enrolling in Attic workshops and have already referred a couple of writer friends as well."

Philip Benz

The Classic Book for Writers, Updated and Revised

EVERY WRITER HAS A THOUSAND FACES

"This book has been in print forever because what it offers works for people." — Chuck Palahniuk, author of Fight Club

"Finally, an anti-bullsht book on creativity!"* — James Marcus, former editor of Harper's

"Does for the creative process what Strunk and White did for our approach to grammar and style. Indispensible." — Marjorie Sandor, National Jewish Book Award winner

"Buoyant...unorthodox...A provocative and anti-intuitive manual for making fresh art." — Kirkus Review

"Biespiel offers a number of best practices—not just for writing...but for living a creative life." — The Rumpus

A Statement of Our Values

The Attic Institute of Arts and Letters opposes the legitimation of bigotry, hate, and misinformation. As a studio for writers, we do not tolerate harassment or discrimination of any kind. We embrace and celebrate our shared pursuit of literature and languages as essential to crossing the boundaries of difference. To that end, we seek to maintain a creative environment in which every employee, faculty member, and student feels safe, respected, and comfortable — even while acknowledging that poems, stories, and essays delve into uncomfortable subjects. We accept the workshop as a place to question ourselves and to empathize with complex identities. We understand that to know the world is to write the world. Therefore, we reaffirm our commitment to literary pursuits and shared understanding by affirming diversity and open inquiry.