Tuesday | Attic Institute

Tuesday

Fall | Intro to Flash Nonfiction Workshop w Brian Benson | Oct 1 - Oct 29 | Online

Minimum Words, Maximum Impact

Flash nonfiction, simply put, is true-to-life writing defined by extreme compression. It's saying what you've got to say using as few words, and as much beauty, as possible. An endlessly accessible, playful, potent form, flash nonfiction is evermore popular; from Brevity to Barren, The Forge to The Sun, legions of journals are publishing great flash. This class is open to all writers, whether you're new to flash or finishing your first collection. Over five weeks, students will read stellar flash, begin new pieces, workshop works-in-progress, and move toward submitting work for publication. | Maximum: 16 writers. Open to all writers.

Register for this workshop

Time:

Tuesdays, Oct 1 - Oct 29, 6 - 8pm Pacific

Start Date:

Tue, 2024-10-01

Teacher:

Brian Benson

Location:

Zoom | Online Workshop

Workshop Day:

Tuesday

The Classic Book for Writers, Updated and Revised

EVERY WRITER HAS A THOUSAND FACES

"This book has been in print forever because what it offers works for people." — Chuck Palahniuk, author of Fight Club

"Finally, an anti-bullsht book on creativity!"* — James Marcus, former editor of Harper's

"Does for the creative process what Strunk and White did for our approach to grammar and style. Indispensible." — Marjorie Sandor, National Jewish Book Award winner

"Buoyant...unorthodox...A provocative and anti-intuitive manual for making fresh art." — Kirkus Review

"Biespiel offers a number of best practices—not just for writing...but for living a creative life." — The Rumpus

A Statement of Our Values

The Attic Institute of Arts and Letters opposes the legitimation of bigotry, hate, and misinformation. As a studio for writers, we do not tolerate harassment or discrimination of any kind. We embrace and celebrate our shared pursuit of literature and languages as essential to crossing the boundaries of difference. To that end, we seek to maintain a creative environment in which every employee, faculty member, and student feels safe, respected, and comfortable — even while acknowledging that poems, stories, and essays delve into uncomfortable subjects. We accept the workshop as a place to question ourselves and to empathize with complex identities. We understand that to know the world is to write the world. Therefore, we reaffirm our commitment to literary pursuits and shared understanding by affirming diversity and open inquiry.