Save Your Darlings: A Generative Approach to Revision Workshop w Alissa Hattman | Feb15 - Mar 14 | Online

In The Art of Revision, Peter Ho Davies respectfully suggests a counter to the famous advice for revision, “kill your darlings”—perhaps, he says, we should instead think of the various ways we can “save our darlings.” In this 5-week class, we will take Davies’s advice and consider a less murderous approach to revision. What might we discover if we listened more carefully to our darlings? Are they perhaps misunderstood, misplaced, underrealized? What if we were more patient with the material that our instinct says to cut? What might this approach teach us about who we are as writers? Each week, participants will be given a revision prompt and/or strategy, a reading, and one or two workshop submissions from their peers. To inform our discussions, we will read early and late drafts of published writing alongside theories and tips on revision from seasoned writers. Feedback and workshop guidelines will be provided, but the class may choose collectively to change these guidelines if necessary. Class time will include workshop as well as discussion of readings and craft. Each participant will receive written feedback from the instructor and the other participants. Writers should have a short piece they consider done (or close to done), which can be an excerpted or self-contained draft of any genre. 

Register for this workshop

Thursday, February 15 - March 14, 5:30 - 7:30pm Pacific Time, 5 weeks
Via Zoom
Total Fee: 
Discounted Early Registration is due seven (7) days prior to the start of the workshop. | Discounted Early Registration: $259 (cash/check); $268 (Paypal). | Tuition Registration: $274 (cash/check); $283 (PayPal).

A Statement of Our Values

The Attic Institute of Arts and Letters opposes the legitimation of bigotry, hate, and misinformation. As a studio for writers, we do not tolerate harassment or discrimination of any kind. We embrace and celebrate our shared pursuit of literature and languages as essential to crossing the boundaries of difference. To that end, we seek to maintain a creative environment in which every employee, faculty member, and student feels safe, respected, and comfortable — even while acknowledging that poems, stories, and essays delve into uncomfortable subjects. We accept the workshop as a place to question ourselves and to empathize with complex identities. We understand that to know the world is to write the world. Therefore, we reaffirm our commitment to literary pursuits and shared understanding by affirming diversity and open inquiry.